DramaShare Ministries
Unfinished Mishmash
Unfinished Mishmash
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What happens when you think your project is “done”… but everyone else sees chaos?
In Unfinished Mishmash, a proud builder shows off his “house,” only to discover it’s more of a mess than a masterpiece. The laughter builds as his friends try to find something nice to say—until the truth lands: we’re all God’s unfinished business. A heartfelt, humorous look at spiritual growth and grace in progress.
Cast: 5 + crowd
- 5 speaking parts, all m or f
- #1 the leading actor, not real cerebral, is convinced he is much more proficient than the world knows he's not
- #2 tries to be supportive of #1 by seeing the bright side
- #3 more honest in not supporting #1
- #4 mindset much like #3
- #5 mindset much like #3
- any number of non-speaking parts, these actors are critical to the skit as they direct the audience's perception to an acting spot and attitude existing only in the mind of actors and audience.
Bible Reference: John 17:23
Set: bare
Lighting: standard
Sound: wireless mics if available
Song: none
SFX: none
Costumes: standard leisure clothing
Props: none
Special Instructions:
All actors mime the existence of a house which is, (by their reactions): just downstage, or off to the right, or left of their location. When the intent is that the house is small: all eyes and heads move downward and face shows unacceptability, when the house is large all eyes and heads move upward and face shows approval. Attention of all actors, including non-speaking crowd, is constantly and uniformly directed to those spots.
Ensure that in characterization and rehearsals the exact and consistent location, size and acceptance of the house is established for consistency. The audience must be convinced the non-speaking actors have uniformly bought in through suspended belief.
Any number of non-speaking actors for crowd, have some of the crowd enter with each new speaking actor coming on stage. Ensure the non-speaking actors are at least as well trained as speaking actors since their roles must be even more convincing without being overdone, reacting appropriately to current tempo and feeling: (smile, snicker silently when correctness happens, sorrow when a hurtful thing is said, all agree at appropriate times). Correct reactions are essential as new situations happen, not "telegraphed" to the audience in advance.
Time: 7
1 comes on stage, stands back, looks at his house, very satisfied look.
1: Hey, gotta do say it myself, lookin’ sweeeeet!
All those guys tryin’ to tell me, “this is gonna be tough, no experience here, how can I do it?”
Guess I showed them, huh?
Like I say . . . swwwwweeeeeeeeeetttttt!
2 and 3 and some crowd come on stage, watch what 1 is doing, after a short time speak.
2: Hey 1, whatcha doin’? That’s a. . . that’s a. . .
1: Hey 2, 3. Right on, 2, a house. Exactly.
3: A house? That . . . is a house?
1: Of course. See, don’t you like the style?
2, trying to motion to 3 to be kind: What 1 is saying, 3, is that when he finishes, this will likely, maybe, likely, be a house. Maybe.
1: When I finish? I will have you know that what you are looking at is the completed article.
2: This? This is a finished house?
1: Yeppers! Finished, done-zo, fini.
3: My only question is what finished it? Earthquake, tornado, act of God?
1: You guys’re always the big jokers, come on now, be serious for a minute, be honest, have you ever seen anything like this?
2: No problem being honest on that one, I have never, ever, in my whole life seen anything that comes close to this.
1: Hey guys, you just don’t know what it means to me, hearing you say such nice things about this house that I built. You maybe didn’t know, it’s the first house I ever did build.
3: Actually, I would have guessed that. Really. I would have.
1, wipes away a tear: Guys, you know that simply breaks me up to hear your compliments.
3: It pretty much breaks me up trying to find nice things to say about this house.
2, gives a glaring look at 3: What 3 means, 1, is that words simply can’t describe this house.
3: 2 is right on there, we should really come up with a whole new pack of words to lay on this baby!
4 and 5 plus balance of crowd come on stage.
4: Hi guys, so what’s happening today?
5: Hi-heeeeeeelllllllllllooooooo, what is this? All ready for Halloween I see!
2: This was a house.
4: OKKKK, and what is it now?
2: 1 built it.
5: That would explain a lot right there.
3: Just a little question maybe, but where are the windows?
1: There are no windows. Did you realize that 71.5% of all heat loss happens through windows? Besides when I tried to install the windows they wanted to go in crooked.
4: They wanted to?
5: I know this is a silly question, but how do you see outside?
1: Closed circuit TV. My guess is that this house could set a new standard.
5: I think you are safe there, 1, there will be no challengers for that honour.
4: Just how long have you been working at this treasure?
1, proudly: Six days!
2: So what you are saying, 1, is that in the time it took for God to create everything, you kinda . . .
3: . . . “And on the seventh day he rested . . .”
4: My take is that 1 should have rested on the first six days.
Want to see how the story unfolds? DramaShare members get this complete script— and access to our entire library—free! Not a member? You can still grab this individual script and bring it to life.
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